P-SOLO

"Apart from the mic, the mic pre is the most important link in the chain, and the P-SOLO makes professional sound affordable. To my knowledge, it is the least expensive high-end preamp you can get and makes a big difference in the sound of any microphone."

Gina Fant-Saez, CEO eSession.com

P-SOLO RIBBON

"The P-SOLO Ribbon, which comes in at well under $700.00, is performing at a level that's comparable to mic pres that cost five times as much. That makes it an excellent candidate for studios or musicians that use ribbons and can't afford to have a lot of preamps. The value-for-money of the P-SOLO Ribbon is unrivaled!"

Lee Groitzsch, Skaggs Family Records recording engineer and studio manager

P2 ANALOG

"The Neumann and the P2 Analog is the perfect combination to make the piano sound like it should."

Trinidad Sanchez III, The Rippingtons

PRECISION 8

"The sound quality of the TRUE Systems Precision 8 was excellent, especially in conjunction with the Schoeps microphones. They were clean, crisp, and pristine in the 2kHz to 10kHz range and captured the ambience and vibe of the Carnival Center beautifully."

Gene Gerhiser, Audio Engineering Recording Fellow, Yo-Yo Ma & New World Symphony

"The Precision 8 is very transparent sounding and very accurate. It's an excellent piece of equipment."

Marc Fuller, Grammy-nominated for Kanye West’s "College Dropout"

"It was a no-brainer for me. Out of at least a dozen mic pres the True Precision 8 was hands-down the best."

John Feldmann, Frontman for the L.A.-based pop-punk-ska band Goldfinger

“I was quite taken with it. For me, the real test is the classical stuff. They sound terrific. They’re great, and I love them.”

Bart Chiate, Broadcast Mixer, Jimmy Kimmel Show

"The TRUE Systems Precision 8s and Microtechs are the perfect partners. We've had countless unsolicited praise about the clarity and beauty of the sound on previous projects from people who don't think much about audio. It's that obvious."

Daniel Teige, Sound Engineer

True Systems 500 Series Module
It’s a preamp of a different color

Introducing the PT2-500 mic preamp and instrument direct-in. Our new Type-2 design gives this ultra-resolution preamp all the detail of our other models, with serious analog depth and warmth.

• New DI circuit calms edgy piezos.
• DI THRU jack for amping or effects.
• 70dB of gain.
• High-headroom.
• Ultra low-noise. AMAZING sonics.

It’s a fresh new color of TRUE.